Raise a glass   with musical comedy Diva/Impressionist  Christine Pedi as she sings in the new with  silly, sassy and  sentimental songs of the season!   The daily host of Sirius XM’s “On Broadway” channel will channel many Broadway and Hollywood Goddesses who appreciate that…we  “got thru ALL of last year!”  So come celebrate the fact that we’re all “STILL HERE” and start the New Year with lots of laughs and a great big smile. Come pop your cork at Pangea on New Years Eve with Christine Pedi and Matthew Martin Ward at the piano.

 

SNOW BIZ – 
Christine Pedi   just completed her 17th annual  holiday cabaret SNOW BIZNESS.  She’s the daily host of  SiriusXMs  On Broadway channel for over 2 decades.   Her award winning cabaret show GREAT DAMES has played all over the USA, London , South Africa and several of the 7  seas.  She’s performed at Avery Fisher Hall, Feinsteins, 54 Below, Londons Crazy Coqs,  on The Queen Mary 2  with  the Adelaide Symphony in Australia as well as many symphonies across the US.  Her Broadway  credits include : Mama Morton in Chicago,  TALK RADIO &  LITTLE ME.  Off Broadway she’s been a longtime cast member of the satirical musical reviews NEWSICAL and FORBIDDEN BROADWAY (Drama Desk nomination) , SPAMILTON and   FORBIDDEN SONDHEIM.   Her vocal impressions & characters  can be seen & heard on YouTube, The Howard Stern Show & Steven Universe.  A proud “dead SOPRANO”  on HBO she played Mrs Bobby Baccala (he loved her so much he couldn’t defrost her ziti for SEVERAL episodes!).  Recordings include her solo cd GOOD TO MAMA.  ChristinePedi.com * @ChristinePedi * FB- ChristinePediShowBiz * CAMEO.com (for personalized video messages)

 

Christine shows off her Pedi-gree and puts the “broad” back into Broadway.   As an actress she’s believable, as a vocalist she’s a diva, and as a comedienne she’s hilarious.”  tellitlikeitis.co.uk

 

“Her loopy .loving imitations of yesteryear’s biggies are more than worth the trip” –
The  New Yorker ”

 The musical caracatures have never been sharper, her voice never fuller, the fine lines between farce and pathos masterfully drawn
Paul Cavalconte WNYC