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Broadway
World: The
Days
Of
Cabaret
Gratitude
–
Day
Three
–
The
Hosts
With
The
Most,
November
3
2023
Broadway
World: David
Dean
Bottrell’s
DEAR
MR.
BOTTRELL,
I
CANNOT
POSSIBLY
ACCEPT
THIS
A
Love
Letter
To
The
Art
Of
Storytelling,
October
13
2023
Broadway
World:
Closing
Performance
of
Deborah
Stone’s
CHIAROSCURO
at
Pangea
Is
Cabaret
Artistry,
In
Any
Language,
July
29
2022
The
New
York
Times: Raven
O,
a
Nightlife
Fixture
for
Four
Decades,
Takes
a
Final
Bow,
December
17,
2021
Broadway
World, Jack
Bartholet
Woos
&
Wows
To
Ooos
&
Ahhs
With
His
UNUSUALLY
GRAND
IDEAS,
November
21,
2021
Theater
Pizzazz:
Sidney
Myer
review,
November
10,
2021
The
New
York
Times: With
Venues
Reopening
Across
New
York,
Life
Is
a
Cabaret
Once
Again,
July
6
2021
The
New
York
Times:
7
Things
to
Do
This
Weekend,
November
5
2020
The
New
York
Times:
Theater
to
Stream:
Cabaret
Lives
Online
and
Zombies
Walk
the
Stage,
October
22
2020
The
New
York
Times:
Determined
to
Salvage
the
Fall,
Cabaret
Plots
Its
(Outdoor,
Online)
Return,
September
1
2020
Broadway
World:
DOWNTOWN
LEGENDS
COMES
TO
PANGEA
IN
MARCH
BWW
Review:
Raquel
Cion’s
ME
AND
MR.
JONES:
MY
INTIMATE
RELATIONSHIP
WITH
DAVID
BOWIE
Stands
Out
at
Pangea
BWW
Review:
David
Mills
BITTER
ENDINGS
Burns
Slow
and
Hard
at
Pangea
BWW
Feature:
SIDNEY
MYER
LIVE!
Makes
PANGEA
The
Place
to
Be
On
New
Year’s
Eve
BWW
Review:
Jack
Bartholet
Breaks
New
Ground
in
LADY
WITH
A
SONG
at
Pangea
The
New
York
Times
Review:
In
‘Why’d
Ya
Do
It,’
a
Spiky
Séance
With
Marianne
Faithfull
The
New
York
Times
Fall
Preview
2019
–
Tammy
Faye
Starlite,
Raven
O,
The
Randy
Andys,
Jack
Bartholet,
Elizabeth
“Betsy”
Parrish
The
New
York
Times
Review:
Carol
Lipnik
a
Bewitching
Blend
of
Comedy
and
Mysticism
The
New
York
Times
Review:
Eric
Comstock
Waxes
Worldly
Wise
in
Broadway
Songs
at
Pangea
The
New
York
Times
Review:
Aaron
Weinstein,
Wunderkind
as
Highbrow
Dandy
The
New
York
Times
Review:
Joseph
Keckler
Shares
Operatic
Overtones
and
Tales
at
Pangea
The
New
York
Times
Review:
Mark
Nadler
Tempers
His
Razzle-Dazzle
With
Reflection
The
New
York
Times
Review:
In
‘Love
Und
Greed,’
Mad
Jenny
Doffs
Her
Hat
to
the
Have-Nots
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